thoughts on advertising, planning and all other attempts to sell something. Go to byLUCIAN.com for my paintings.
Friday, 13 December 2013
In Case You Ever Needed Proof That There Is No One Way Of Doing Things
Daft Punk’s 5 year teaser campaign and Beyonce’s shock overnight album launch on iTunes - Both awesome, both causing massive spikes in internet search traffic, although Beyonce is of course starting from a much higher base.
Tuesday, 10 December 2013
My 5 Favourite Adverts Of 2013 (Not Made In 2013)
Rather than contribute to the endless roundups of this year’s
ads all over the internet I thought I’d share my 5 favourite ads
that I’ve been inspired by this year. In no particular order;
Starting with the product is pretty brave and this gorgeous
piece of film is now on permanent display in the Louvre as an example of modern art in advertising.
I dare you to find a 20 second advert you love this much. Straight to the point, hilarious and memorable. What more can you ask for?
I dare you to find a 20 second advert you love this much. Straight to the point, hilarious and memorable. What more can you ask for?
The craft in this is just outstanding. Goosebumps don’t lie.
Still as fresh as the day it was made.
I struggle to think of an advert that understands the people it is talking to more.
P.S. What are your favourites?
Tuesday, 8 October 2013
3 Books Everyone In Advertising Should Read
I'm
sure I'm not the only person in advertising that has been recommended
about 3 million must-read books about behavioural economics, strategy,
thinking differently, problem solving, social anthropology... the list
goes on. So it's with a bit of trepidation that I'm writing this post.
Having said that these three books all made a big impact on how I work
fairly immediately and I think that's worth sharing.
A Technique For Producing Ideas
This
book is 45 very small pages long, you can read
it in half an hour. That alone almost makes
it worth reading. However the legendary Bernbach makes an even more
compelling case than that - 'James Webb Young conveys in his little book
something more valuable than the most learned and detailed texts on the
subject of advertising.'
Monday, 12 August 2013
Project Colour
“Everything around you that you call life was made up by people that were no smarter than you. And you can change it, you can influence it… Once you learn that, you’ll never be the same again.”
- Steve Jobs
In 1997 the Government’s ‘Excellence in Schools’ report argued that unlocking the potential of every young person was of vital importance and concluded that Britain’s social stability and economic prosperity were dependant upon doing so.1
Following on from this the National Advisory Committee on Creative and Cultural Education (NACCCEE) published a report concluding that “a national strategy for creative and cultural education is essential to that process.”2
It argued that the importance of creativity in the workplace had become paramount and that this coupled with the Education Reform Act’s emphasis on the need for education to equip young people for that working life, meant that developing creative abilities should be seen as a general function of education as it would benefit all children.3
Wednesday, 24 July 2013
Project Colour #2
So last week Project Colour kicked off at Ashburnham Primary
School where over 150 kids painted their version of the World’s End Estate onto
our digital billboard. As week 2 of the project starts and we begin to turn
their paintings into one giant collage I’ve had some time to reflect on what
was a truly exciting and uplifting day. 5 things stood out for me in
particular.
1. First of all it was truly impressive to see how immediately
these kids got to grips with the technology and immersed themselves into painting.
Monday, 15 July 2013
Project Colour
On the 16th July 2013 children from Ashburnham Community School on the World’s End Estate were able to draw straight onto a 15m2 digital billboard overlooking their school via our Project Colour App, installed on iPads set up in their playground. A collage of all their drawings is going to be exhibited on billboards across London over the coming weeks. Photographs of their work in situ will then be used to create posters for the school noticeboards and hallways with each child also receiving a poster of their individual artwork to take home.
Monday, 8 July 2013
Got To Love A Good Slide
If
you’re anything like me (or any other planner I've ever met) you’ll get all hot
under the collar over a good slide. Sometimes it’s because it’s a really useful
or interesting piece of information. Sometimes it’s a masterclass in how to
present something and other times it’s just because it’s pretty.
Anyway I thought I’d share my favorite slides with you.
1. Lest we forget how much TV people are actually watching and are tempted to buy into the ‘TV advertising is dead it’s all about social’ hype…
2. This slide has probably affected the way I work more directly and immediately than anything else I've read.
1. Lest we forget how much TV people are actually watching and are tempted to buy into the ‘TV advertising is dead it’s all about social’ hype…
2. This slide has probably affected the way I work more directly and immediately than anything else I've read.
Wednesday, 15 May 2013
This might be a crazy idea…
We love
making brave, exciting, innovative ads. Why?
Because it
works. We know it in our hearts, we know it from our own experience and
extensive research has proven that creatively awarded campaigns are much, much
more effective than non awarded campaigns.1 They can even shape and
become a part of popular culture.
We also know
what will make a creatively awarded campaign. The work has got to be evocative. Emotional advertising is far more effective and
profitable than rational advertising.2
So why is it
that we make so much derivative and rational advertising? Why does everyone
from Martin Weigel to David Droga think that the vast majority of what we make
is shit?
Because
making great advertising means taking risks. ‘Safe’ and rational (or crap)
advertising is unfortunately often capable of meeting the short term sales and
business objectives that pay our client’s wages and bonuses3. So
most clients don’t often take that risk. Why would they? Would you?
And if we
are being brutal, they don’t trust us enough to take that risk. Otherwise they
would.
So how can we persuade them trust us, to take that risk and go from derivative and rational to brave and emotional?
I think it’s
us that need to change.So how can we persuade them trust us, to take that risk and go from derivative and rational to brave and emotional?
Thursday, 25 April 2013
Talent Imitates, Genius Steals?
The rise of 'circle of life' advertising in reverse chronological order;
Thursday, 7 March 2013
Vine, Brands and Advertising.
Vine
I’ve been a big fan of Vine ever since I first discovered it
a few weeks ago and although it is clearly still in it’s infancy I’m going to
call it now – Vine is going to be big and it’s here to stay. I’m willing to bet
it becomes a part of mainstream culture. It is the natural progression of
social video. I believe this for several reasons but the three most compelling
to me are:
Wednesday, 6 February 2013
Friday, 25 January 2013
Game Changers from the IPA Modern Briefing: 2
Last night’s IPA Modern
Briefing (2: The Clients Talk Back) conference was an exceptionally insightful
follow up to this summer’s game changing talk on the agency briefing process.
There were about 500 things you could've learnt last night but five of them
stood out for me in particular.
They stood out for me
because they can and (hopefully) will immediately affect how I try to work
with my clients.